Immersive Multi-Screen Journalistic Narratives

To build representations and meanings, telejournalism in the context of transmediation has relied on interrelation different languages, adapting itself according to emergence resources interfaces. In this context, one can cite exploration 360-degree audiovisual narratives, an emerging image modality used by press as a mechanism bring spectators closer events. Brazil, journalistic productions made communication companies, general, go beyond television space are also explored virtual social networks websites instigate participation enunciatee through access interactivity resources. The present investigation focuses articulation process between TV Internet, intending point out reflections language content journalism, proposing analyze discursive strategies technical specificities disseminated support online environment. end, series reports “O Vírus na Favela” was examined, launched 2020 program Balanço Geral RJ (Record Rio - Brazil) which sought portray challenges faced residents communities de Janeiro during COVID-19 pandemic. This exploratory study is guided methodological path formed bibliographic survey, based discussions such telejournalism, analysis corpus three principles French semiotics presented Barros (2005, 85): “narrative syntax,” “discursive syntax” semantics.” addition, semiotic method for films developed Moreira (2020) applied. conclusion, it be recognized that analyzed evidences enunciators' search follow contemporary trend telling stories more than media support, well creating with viewer. Also, observed have hybrid proposal several graphic elements, conventional videos videos. On other hand, web content, part, configured interactive versions shown TV. Such evidence may signify producers see accessory innovation composition traditional reports.